I recently sat down with Herman Cornejo at a café downtown. We discussed everything from the cruelty of the artform, to the excitement of working with Alexei Ratmansky, to his love of drawing. Here is a link to the interview.
And a short excerpt:
“Well you know, it took a long time for Kevin [McKenzie, artistic director of ABT] to give me the principal roles in the classical ballets, even when I was already a principal. And yes, sometimes it was frustrating, but you know, now that I think about it, I feel like things happen when they are supposed to happen. I’m ready, I feel different about them now. Also, coming back to the Met after having been injured for almost four months I felt very different. Maybe it was because I was so happy to be back there, but I had rested, I’d had time to think about things.”