On Sunday, at the New York City Ballet matinée, the company performed a mixed bill: Divertimento from ‘Baiser de la Fée,’ Tchaikosvky Pas de Deux, Bal de Couture, and Diamonds. As always, I was fascinated by Divertimento‘s ungraspable quality. It seems like one kind of ballet, but turns out to be something completely different. Its haunting ending makes you question everything you’ve seen before. Tiler Peck captures this transformation perfectly; she is able to transform herself, subtly, from country girl to spellbound woman, lost in a dream. You can see my review here.

Sara Mearns also performed, in Diamonds:

“Sara Mearns, back from an injury which had kept her off the stage for nine months, was in rare form, dancing with that special intensity that sets her apart from other ballerinas. One could almost hear her thoughts as she slowly zig-zagged across the stage toward her cavalier (Ask la Cour) at the start of their pas de deux. The deep arch in her back in the duet’s many backbends expressed enormous yearning; each unfolding of the leg was a momentous, slow, deliberate affair. “I am your queen, and I have suffered long.” Like a great opera singer, Mearns is able to sustain endless legato phrases, melodies that modulate and stretch and leave the viewer gasping for air.”

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