Here’s my review of the Martha Graham Fall and Recovery Gala, which included the restored version of Imperial Gesture, an intriguing excerpt from Canticle for Innocent Comedians, a new work by Luca Veggetti, and an excerpt of a work-in-progress by Duato.
And a short excerpt:
“Even more than with other choreographers, the costumes and sets are essential elements of Graham’s dance imagination. Think of Martha’s stretchy sack-dress in Lamentation, or the prickly metal tree-dress by Noguchi in Cave of the Heart. They are extensions of the dancers’ bodies, and of Graham’s Jungian world-view. Even more, they color our perception of the movement. A contraction of the pelvis looks quite different in a leotard than it does in a floor-length cape-dress.”
Any thoughts on the current Graham season?