Janie Taylor and Anthony Huxley in Ivesiana. Photo by Paul Kolnik.
Janie Taylor and Anthony Huxley in Ivesiana. Photo by Paul Kolnik.

The company kicked off its spring season — a.k.a. the American Music Festival — on April 30, with an all-Balanchine program. (The date also marked the thirtieth anniversary of Balanchine’s death.) On the program: Who Cares?, Tarantella, Stars and Stripes, and the revival of that most mysterious ballet, Ivesiana (not performed since 2004). The cast of Ivesiana was mostly new, and included Ashley Laracey in her first big role since being promoted to soloist int the spring. And what a striking, chilling ballet it is. You can read my review (for DanceTabs) here.

And here’s a short excerpt:

“Made in 1954 (the same year as Western Symphony, of all things) for a cast of dancers that included Janet Reed, Allegra Kent, Tanaquil LeClercq, Francisco Moncion, and Todd Bolender, Ivesiana is one of Balnachine’s simplest, and most unnerving, compositions. Four ideas, four sections, not many steps, and no pointe-work – except in the crazed third chapter, “In the Inn,” which is crammed to the gills with steps and performed on pointe…. The entire thing is steeped in an atsmophere of suffocating irresolution, of irratonal occurrences and otherworldliness.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s