Dear friends,

Sterling Hyltin and Amar Ramasar in Balanchine's "The Man I Love." Photo by Paul Kolnik.
Sterling Hyltin and Amar Ramasar in Balanchine’s “The Man I Love.” Photo by Paul Kolnik.

Here’s my latest for DanceTabs, a review of New York City Ballet’s spring gala, which included a new ballet, a pas de deux by Christopher Wheeldon, and the revival of an older work, Soirée Musicale, as well as excerpts from Who Cares, Stars and Stripes, Glass Pieces, and West Side Story Suite.

And a short excerpt:

“Considering the many distinctive works Wheeldon has given this company over the years…a Wheeldon première inevitably brings raised expectations. His newest piece, A Place for Us, turns out to be an extended pas de deux for two of the company’s most musical dancers, Tiler Peck and Robert Fairchild. Both move with scintillating clarity mixed with a jazzy sense of all-American informality….In response to these qualities, Wheeldon has created a dance that has the feel of an improvisation, as well as an homage to the artful spontaneity cultivated by Jerome Robbins in works like Other Dances and A Suite of Dances.”
Questions, comments, and complaints  welcome!

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