Margot Fonteyn in Sylvia in 1952. Felix Fontayn, Royal Opera House Archive
Margot Fonteyn in Sylvia in 1952. Felix Fontayn, Royal Opera House Archive

ABT is performing Frederick Ashton’s pseudo-classical fantasy “Sylvia” this week. It’s a marvelous ballet, taken on its own terms. Full of stylish detail, tender scenes, and ravishing music, it is also completely silly and over-the-top, with more than a whiff of the music-hall.

Here’s my review of the June 26 cast, which included Roberto Bolle and Polina Semionova. And a little excerpt:

“The designs are intentionally old-fashioned, quaint, many-layered, full of drapery and chiaroscuri that turn the stage into a lavish popup book. The first tableau, a sylvan glade with a stony outcrop, reveals a little bridge in the background and a three-tiered fountain topped by a statue of Eros. The statue later turns out – surprise! – to be a dancer slathered in white body paint. The second act takes place in a kind of orientalist fantasy-land, Cairo by way of the the Moulin Rouge.”

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