Finally, a production that puts contem-porary ballet’s extreme feats of flexibility to use! Arthur Pita’s “Meta-morphosis,” now playing at the Joyce, is a kind of cross between the rubber-band contortions of Wayne McGregor and the theatrical savvy of Matthew Bourne. And at the heart of it all, an extraordinary performer, Ed Watson, who, for an hour and a half, ties himself into knots to give physical form to the torments of Gregor Samsa, the victimized hero of Kafka’s tale. But in the end, the problem remains; our eye becomes inured to the strangeness and the effect dissipates. Here’s my review for DanceTabs.
I’d love to hear other people’s reactions to the show.