The Yale departments of drama and music and “Yale in New York” teamed up for a performance of Igor Stravinsky’s L’Histoire du Soldat at Zankel Hall, a bitter story that perfectly captures the hopelessness felt in Europe after the end of the First World War. Stravinsky was eking out a meager existence at the time (1918), separated from his former life and his bank accounts by war and revolution. He turned to a format he know from his childhood, the fairground theatrical, creating a lean, acidic little story. What’s surprising is how timely it still feels. The Yale players performed it well; the new choreography, by Emily Coates, was well-suited to the tale, and the young actors flung themselves into the tricky, folk-inflected steps. You can read my review for DanceTabs here.