
I think it’s safe to say that no-one dances Don Quixote like the Bolshoi. The ballet is shallow, it’s showy, but, particularly in the first act, its exuberance is a kind of paean to the art form itself, the joy of the stage, the stirring effect of dozens of bodies moving with the kind of amplitude and produced by years and years of training. Here’s my review of one of the Bolshoi casts, for DanceTabs.
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