
Race, love, history, Kyle Abraham takes them all head-on in his latest work, The Watershed. I review it here, for DanceTabs.
A short excerpt: “How does a choreographer and man of ideas like Kyle Abraham, an artist who identifies himself as a “Black Gay American Man” (and recent Macarthur Fellow) begin to pull apart the layers of his experience while allowing himself the freedom to think, not just about issues, but about form?”
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