Four premieres at City Ballet and a few surprises at Fall for Dance

New York City Ballet had its gala on Sept. 30, featuring new works by four youngsters: Robert Binet, Myles Thatcher, Troy Schumacher, and Justin Peck. Here’s my review for DanceTabs.

New York City Ballet in Troy Schumacher’s Common Ground, with costumes by Marta Marques and Paolo Almeida of Marques’Almeida. Photo by Paul Kolnik
New York City Ballet in Troy Schumacher’s Common Ground, with costumes by Marta Marques and Paolo Almeida of Marques’Almeida. Photo by
Paul Kolnik

Over at City Center, Fall for Dance kicked off with two varied programs, each containing a surprise. See my review here.

Rachelle Rafailedes and L.A. Dance Project in Murder Ballades. Photo by Rose Eichenbaum.
Rachelle Rafailedes and L.A. Dance Project in Murder Ballades.
Photo by Rose Eichenbaum.

 

 

New York Highlights

Our Fall Dance Preview, in the New Yorker: Okwui Okpokwasili, Monotones (and a new Mark Morris) at ABT, and Twyla.

 

American Ballet Theatre performs Frederick Ashton’s “Monotones I” and “Monotones II.”Illustration by Eleanor Davis
American Ballet Theatre performs Frederick Ashton’s “Monotones I” and “Monotones II.” Illustration by Eleanor Davis

Forward to Petipa

“Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions,” Alexei Ratmansky told me a few months back, when we began discussing preparations for his new Sleeping Beauty, based largely on his interpretation of historical sources. He said many other things too. You’ll find them here, in this extensive q&a.

 

Alexei Ratmansky in Sleeping Beauty rehearsal.Photo by Rosalie O'Connor.
Alexei Ratmansky in Sleeping Beauty rehearsal.Photo by Rosalie O’Connor.

ABT fall season Oct 21-Nov 21

ABT has announced its fall season at the Koch. It will include:

An NYC premiere by Mark Morris and company premieres of Frederick Ashton’s Monotones I and II, Balanchine’s “Valse-Fantaisie,” and Marcelo Gomes’s “Aftereffect,” as well as revivals of Twyla Tharp’s The Brahms-Haydn Variations, Michel Fokine’s Le Spectre de la Rose & Kurt Jooss’ The Green Table.
Here is a link to the full press release.

 

Royals x 2

Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House.
Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the

Here’s my review of the Royal Ballet’s second program, consisting of Wayne McGregor’s “Infra,” Liam Scarlett’s “Age of Anxiety,” and a series of short excerpts. Plus a second view of the first program, with new casts in “The Dream” and “Song of the Earth.”

 

Swans at the Met, Fairies at the Koch

 

Misty Copeland (Odette) and James Whiteside (Prince Siegfried) in Swan Lake.  Photo: Gene Schiavone.
Misty Copeland (Odette) and James Whiteside (Prince Siegfried) in Swan Lake. Photo: Gene Schiavone.

Misty Copeland had her long-awaited New York début in Swan Lake on June 24, with ABT. How did she do? Here’s my review, for DanceTabs.

And here’s my review of the Royal Ballet—visiting New York for the first time in 11 years— in a double-bill at the Koch. The two works were Ashton’s The Dream and Kenneth MacMillan’s Song of the Earth.

Marianela Nuñez and Nehemiah Kish in Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House
Marianela Nuñez and Nehemiah Kish in Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House