ABT Marks 75 years

Gillian Murphy and Marcelo Gomes in Pillar of Fire. Photo by Marty Sohl.
Gillian Murphy and Marcelo Gomes in Pillar of Fire. Photo by Marty Sohl.

In its first week, the company performs works from its first decade. See my review of two programs here.

Morristown

The Mark Morris Dance Group is back at BAM after three years, with two mixed bills consisting, for the most part, of new works. You can read my review for DanceTabs here.

 

Aaron Loux and Brandon Randolph in "Words." Photo by Ani Collier
Aaron Loux and Brandon Randolph in “Words.” Photo by Ani Collier

Chopin Dances

Yekaterina Kondaurova and Yevgeny Ivanchenko in Jerome Robbins’ In the Night, by Julieta Cervantes.
Yekaterina Kondaurova and Yevgeny Ivanchenko in Jerome Robbins’ In the Night, by Julieta Cervantes.

You can read my review of the Mariinsky’s all Chopin, all piano triple bill, for DanceTabs, here.

 

 

A Final Nutcracker

Columbine and Harlequin in ABT's Nutcracker. Photo by MIRA.
Columbine and Harlequin in ABT’s Nutcracker. Photo by MIRA.

Alexei Ratmansky’s Nutcracker for American Ballet Theatre is having its last run at the Brooklyn Academy of Music before moving to the west coast next year. For the first time since its premiere in 2010, the theatre is full… Can’t help feeling a pang of loss. It’s a wonderfully imaginative rendition, a great antidote to Balanchine’s pitch-perfect version. Here’s my review of last night’s performance for DanceTabs, with Cory Stearns and Hee Seo in the lead roles.

Wandering Man

Steven LaBrie, the baritone in Jessica Lang’s The Wanderer. Photo by ulieta Cervantes
Steven LaBrie, the baritone in Jessica Lang’s The Wanderer. Photo by ulieta Cervantes

Last week, the choreographer Jessica Lang presented her new, fully-staged version of Shubert’s song-cycle Die Schöne Müllerin at BAM’s intimate Fishman Space. In it, she takes on the the lyricism of Schubert and  the poetry of Wilhelm Müller and gives it physical form. Her eight dancers fill the roles of protagonist, miller’s daughter, huntsman, and, more intriguingly, of the forces of nature and the brook in which the protagonist eventually drowns himself. Lang made a valiant effort; her approach is sensitive, well-informed, and consistently engaging. But the two languages—dance and son—only occasionally spoke to each other with eloquence, bringing about something more than the sum of various parts. Here’s my review, for DanceTabs.

And a longer a piece I wrote for The Nation, on the difficulty of combining vocal music and dance.

The cast of Jessica Lang's "The Wanderer." Photo by  Julieta Cervantes
The cast of Jessica Lang’s “The Wanderer.” Photo by Julieta Cervantes

First Impressions: The Mikhailovsky Ballet

Natalia Osipova and Leonid Sarafanov in the Mikhailovsky's production of Giselle. Photo by Paul Kolnik.
Natalia Osipova and Leonid Sarafanov in the Mikhailovsky’s production of Giselle. Photo by Paul Kolnik.

 

The Mikhailovsky Ballet had its New York début this week in Giselle. Opening night was led by a starry cast: Natalia Osipova and Leonid Sarafanov. Here’s my review of that performance, as well as the one at the following matinée, with Anastasia Soboleva and Victor Lebedev as Giselle and Albrecht. Soboleva is a find.

And some background on the company.