Royals x 2

Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House.
Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the

Here’s my review of the Royal Ballet’s second program, consisting of Wayne McGregor’s “Infra,” Liam Scarlett’s “Age of Anxiety,” and a series of short excerpts. Plus a second view of the first program, with new casts in “The Dream” and “Song of the Earth.”

 

A New York Triple

On April 22, the Mark Morris Dance Group returns to BAM with two programs of new works, including Morris’s take on The Rite of Spring, which he calls Spring, Spring, Spring. If you want to know why, check out my preview feature for the Times:

The Mark Morris Dance Group in Spring, Spring, Spring.
The Mark Morris Dance Group in Spring, Spring, Spring.

Christopher Wheeldon’s new musical An American in Paris opens on Broadway on April 12. I spoke with him about the challenges of adapting the movie for the stage for this piece, and also to Robert Fairchild and Leanne Cope. Curious?

 

 

Leanne Cope and Robert Fairchild in An American in Paris. Photo by Matthew Murphy
Leanne Cope and Robert Fairchild in An American in Paris. Photo by Matthew Murphy.

 

And finally, a review of two flamenco shows, Soledad Barrio and Olga Pericet, at Joe’s Pub and the Repertorio Español. About as different as two flamenco shows can be.

Olga Pericet by Michael Palma.
Olga Pericet by Michael Palma.

 

Emilio Florido and Soledad Barrio in Cambio de Tercio. By Kevin Yatarola
Emilio Florido and Soledad Barrio in Cambio de Tercio. By Kevin Yatarola

Justin Peck Saddles UP

Sara Mearns and Amar Ramasar in Justin Peck's "Rodeo, Four Danced Episodes." Phot by Paul Kolnik.
Sara Mearns and Amar Ramasar in Justin Peck’s “Rodeo, Four Danced Episodes.” Phot by Paul Kolnik.

My review of Justin Peck’s new ballet, set to Aaron Copland’s “Rodeo,” is here. It was performed in a program that also included Christopher Wheeldon’s “Mercurial Manoeuvres” and Alexei Ratmansky’s “Pictures at an Exhibition.” Here’s an image from the latter ballet:

Ramasar, Mearns, and Sterling Hyltin in Alexei Ratmansky's "Pictures at an Exhibition." Photo by Paul Kolnik.
Ramasar, Mearns, and Sterling Hyltin in Alexei Ratmansky’s “Pictures at an Exhibition.” Photo by Paul Kolnik.

Ethan Stiefel Moves Ahead

Ethan Stiefel as Albrecth in Giselle, 2001. Photo by Rosalie O'Connor.
Ethan Stiefel as Albrecth in Giselle, 2001. Photo by Rosalie O’Connor.

I sat down with Ethan Stiefel a few weeks after his return to New York from New Zealand where, for three years, he was the artistic director of the Royal New Zealand Ballet. We talked about his time there, his transition from dancer to director, his choreographic aspirations, and his plans (and non-plans) for the future. You can find the interview here, at DanceTabs.

Take Two

Xiomara Reyes and Herman Cornejo in Alexei Ratmansky’s Seven Sonatas. © Rosalie O’Connor.
Xiomara Reyes and Herman Cornejo in Alexei Ratmansky’s Seven Sonatas. © Rosalie O’Connor.

Over the weekend, I saw a second cast in Liam Scarlett’s new “With a Chance of Rain,” plus Alexei Ratmansky’s beautiful “Seven Sonatas,” JIri Kylian’s “Sinfonietta,” and more. You can read my review here.

Opening night, ABT

The final tableau from Alexei Ratmansky’s Rondo Capriccioso. © Marty Sohl.
The final tableau from Alexei Ratmansky’s Rondo Capriccioso.
© Marty Sohl.

ABT kicked off its 75th anniversary season with a gala performance on Oct. 22, featuring a new work by Liam Scarlett (“With a Chance of Rain”), a recent one by Wheeldon (“Thirteen Diversions”), and a joyous showcase for the school by Alexei Ratmansky (“Rondo Capriccioso”). Here’s my review, for DanceTabs.

Exit Whelan

Wendy Whelan and Alexei Ratmansky in the studio. Photo by Craig Hall.
Wendy Whelan and Alexei Ratmansky in the studio. Photo by Craig Hall.

I wrote a little tribute to Wendy Whelan for the New Yorker’s Culture Blog. You can read it here. This picture is from one of the rehearsals for Christopher Wheeldon and Alexei Ratmansky’s new piece for her farewell performance, on Oct. 18. Wouldn’t miss it.