Balanchine x 6

Here’s my review of the Jan. 20 and Jan. 22 programs at New York City Ballet, which included six works by Balanchine: Serenade, Agon, Symphony in C, Donizetti Variations, La Valse, and Chaconne. Not bad for two nights at the ballet.

A little excerpt:

“These Balanchine evenings quickly establish the company’s core values: musicality, speed, lightness of touch, spaciousness, style. They also impress upon the audience the vast range of balletic modes in which the choreographer worked…. The ballets are not only worlds in themselves but, taken as a group, they seem to encompass most of ballet.”

Teresa Reichlen in Serenade. Photo by Paul Kolnik.
Teresa Reichlen in Serenade. Photo by Paul Kolnik.

The continues through March 1.

Bringing Balanchine Back

Teresa Reichlen in Movements for Piano and Orchestra. Photo by Paul Kolnik.
Teresa Reichlen in
Movements for Piano and Orchestra. Photo by Paul Kolnik.

New York City Ballet has been going from strength in a series of all-Balanchine programs. I review ballets with music by Stravinsky and Tchaikovsky here. A short excerpt:

“On the Stravinsky program (Sept. 25), Robert Fairchild returned to Apollo…He has relaxed into this challenging role and is now able to take risks, tilting dangerously (and excitingly) off-balance and pushing the tempo to create moments of surprise and wildness. Like the unruly young god he depicts, Fairchild tests his strengths and weaknesses before us on the stage.”