San Francisco Ballet Comes to Town

And here’s my review of the first night.

Sofiane Sylve in Christopher Wheeldon's "Ghosts."
Sofiane Sylve in Christopher Wheeldon’s “Ghosts.” Photo by Erik Tomasson.

A little excerpt:

“The company looks to be in top form. Throughout the evening, the dancers moved with real power and drive, plunging into the steps, taking no prisoners. The company style seems to combine the speed and attack of City Ballet with the three-dimensionality and grandeur of American Ballet.”

Not so taken with the last ballet of the evening, Wayne McGregor’s Borderlands: “McGregor seems obsessed with the dancers’ butts and ribcages, both of which are prominently displayed. There is a certain fascination to watching bodies being contorted in awkward, self-consciously ugly, wide-open poses, but, at least for me, the fascination passes quickly, leaving a kind of glazed shellshock.”

Two Wheeldons, Queen Latifah, and a Tricky Dress: The NYCB Spring Gala (for DanceTabs)

Dear friends,

Sterling Hyltin and Amar Ramasar in Balanchine's "The Man I Love." Photo by Paul Kolnik.
Sterling Hyltin and Amar Ramasar in Balanchine’s “The Man I Love.” Photo by Paul Kolnik.

Here’s my latest for DanceTabs, a review of New York City Ballet’s spring gala, which included a new ballet, a pas de deux by Christopher Wheeldon, and the revival of an older work, Soirée Musicale, as well as excerpts from Who Cares, Stars and Stripes, Glass Pieces, and West Side Story Suite.

And a short excerpt:

“Considering the many distinctive works Wheeldon has given this company over the years…a Wheeldon première inevitably brings raised expectations. His newest piece, A Place for Us, turns out to be an extended pas de deux for two of the company’s most musical dancers, Tiler Peck and Robert Fairchild. Both move with scintillating clarity mixed with a jazzy sense of all-American informality….In response to these qualities, Wheeldon has created a dance that has the feel of an improvisation, as well as an homage to the artful spontaneity cultivated by Jerome Robbins in works like Other Dances and A Suite of Dances.”
Questions, comments, and complaints  welcome!