Paloma in BA

A few weeks ago, Paloma Herrera and I sat down to talk about her training and career, about moving back to Buenos Aires, and about what she thinks has changed in the world of ballet and in the wider culture. Our chat is now up on the DanceTabs website.

Paloma Herrera outside of the Museo de Arte Decorativo. (photo by me)
Paloma Herrera outside of the Museo de Arte Decorativo. (photo by me)

 

 

 

Royals x 2

Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House.
Lauren Cuthbertson, Edward Watson and Ryoichi Hirano in Kenneth MacMillan’s Song of the Earth. Photo by Dave Morgan, courtesy the

Here’s my review of the Royal Ballet’s second program, consisting of Wayne McGregor’s “Infra,” Liam Scarlett’s “Age of Anxiety,” and a series of short excerpts. Plus a second view of the first program, with new casts in “The Dream” and “Song of the Earth.”

 

Catching up

This time of year, it’s hard to keep up with the goings-on in the dance world (particularly ballet). Here is a round-up of recent performances and news:

Evgenia Obraztsova in <I>Romeo and Juliet</I>.<br />© Rosalie O'Connor. (Click image for larger version)
Evgenia Obraztsova in Romeo and Juliet. Photo by Rosalie O’Connor.

1. Herman Cornejo and Evgenia Obraztsova performed a touching rendition of Romeo and Juliet at the Met. It was Obraztsova’s début with the company—here’s hoping this new partnership will blossom in coming seasons. Here is a link to my review, for DanceTabs.

https://i2.wp.com/cvj1llwqcyay0evy.zippykid.netdna-cdn.com/wp-content/uploads/2015/06/gs-herman-cornejo-happy-jump_1000.jpg
Herman Cornejo at the same performance. Photo by Gene Schiavone.

 

2. New York Theatre Ballet, alias “the little company that could,” held its first season in the sanctuary at St. Mark’s Church, its new home. On the program were works by Frederick Ashton, Richard Alston, David Parker, Antony Tudor, and the young choreographer Gemma Bond. The space fits the company beautifully, and the inclusion of live music (piano and voice) made all the difference. Here’s a link to my review, for DanceTabs.

New York Theatre Ballet in Anthony Tudor's Dark Elegies.© Yi-Chun Wu. (Click image for larger version)
New York Theatre Ballet in Anthony Tudor’s Dark Elegies. Photo by Yi-Chun Wu.

3. The Alvin Ailey American Dance Theater closed out the season with a Rennie Harris’s moving Exodus (new this season), Robert Battle’s No Longer Silent (a company première), and, of course Revelations. Here’s my review, for DanceTabs.

4. And finally, Julie Kent gave her final performance with ABT, a finely-etched portrait of Juliet in the well-loved Kenneth MacMillan production. As always with this thinking ballerina, every detail was beautifully distinct. It is difficult to imagine works like A Month in the Country without her.

Julie Kent, the soul of simplicity, as always. Photo by me.
Julie Kent, the soul of simplicity, as always. Photo by yours truly.

 

ABT Marks 75 years

Gillian Murphy and Marcelo Gomes in Pillar of Fire. Photo by Marty Sohl.
Gillian Murphy and Marcelo Gomes in Pillar of Fire. Photo by Marty Sohl.

In its first week, the company performs works from its first decade. See my review of two programs here.

A New York Triple

On April 22, the Mark Morris Dance Group returns to BAM with two programs of new works, including Morris’s take on The Rite of Spring, which he calls Spring, Spring, Spring. If you want to know why, check out my preview feature for the Times:

The Mark Morris Dance Group in Spring, Spring, Spring.
The Mark Morris Dance Group in Spring, Spring, Spring.

Christopher Wheeldon’s new musical An American in Paris opens on Broadway on April 12. I spoke with him about the challenges of adapting the movie for the stage for this piece, and also to Robert Fairchild and Leanne Cope. Curious?

 

 

Leanne Cope and Robert Fairchild in An American in Paris. Photo by Matthew Murphy
Leanne Cope and Robert Fairchild in An American in Paris. Photo by Matthew Murphy.

 

And finally, a review of two flamenco shows, Soledad Barrio and Olga Pericet, at Joe’s Pub and the Repertorio Español. About as different as two flamenco shows can be.

Olga Pericet by Michael Palma.
Olga Pericet by Michael Palma.

 

Emilio Florido and Soledad Barrio in Cambio de Tercio. By Kevin Yatarola
Emilio Florido and Soledad Barrio in Cambio de Tercio. By Kevin Yatarola

Chopin Dances

Yekaterina Kondaurova and Yevgeny Ivanchenko in Jerome Robbins’ In the Night, by Julieta Cervantes.
Yekaterina Kondaurova and Yevgeny Ivanchenko in Jerome Robbins’ In the Night, by Julieta Cervantes.

You can read my review of the Mariinsky’s all Chopin, all piano triple bill, for DanceTabs, here.

 

 

Take Two

Xiomara Reyes and Herman Cornejo in Alexei Ratmansky’s Seven Sonatas. © Rosalie O’Connor.
Xiomara Reyes and Herman Cornejo in Alexei Ratmansky’s Seven Sonatas. © Rosalie O’Connor.

Over the weekend, I saw a second cast in Liam Scarlett’s new “With a Chance of Rain,” plus Alexei Ratmansky’s beautiful “Seven Sonatas,” JIri Kylian’s “Sinfonietta,” and more. You can read my review here.