Ever wonder what goes on in the pit while ballerinas leap and spin upon the stage? Well, now you’ll know. I wrote an article about conducting for dance, a subject that has always fascinated me, for the Times. It will appear on Sunday, Aug. 3, in the Arts and Leisure section. (If you receive the weekend paper, you’ll get in on Saturday). Meanwhile, it’s already online.
“The company looks to be in top form. Throughout the evening, the dancers moved with real power and drive, plunging into the steps, taking no prisoners. The company style seems to combine the speed and attack of City Ballet with the three-dimensionality and grandeur of American Ballet.”
Not so taken with the last ballet of the evening, Wayne McGregor’s Borderlands: “McGregor seems obsessed with the dancers’ butts and ribcages, both of which are prominently displayed. There is a certain fascination to watching bodies being contorted in awkward, self-consciously ugly, wide-open poses, but, at least for me, the fascination passes quickly, leaving a kind of glazed shellshock.”