Swans at the Met, Fairies at the Koch

 

Misty Copeland (Odette) and James Whiteside (Prince Siegfried) in Swan Lake.  Photo: Gene Schiavone.
Misty Copeland (Odette) and James Whiteside (Prince Siegfried) in Swan Lake. Photo: Gene Schiavone.

Misty Copeland had her long-awaited New York début in Swan Lake on June 24, with ABT. How did she do? Here’s my review, for DanceTabs.

And here’s my review of the Royal Ballet—visiting New York for the first time in 11 years— in a double-bill at the Koch. The two works were Ashton’s The Dream and Kenneth MacMillan’s Song of the Earth.

Marianela Nuñez and Nehemiah Kish in Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House
Marianela Nuñez and Nehemiah Kish in Song of the Earth. Photo by Dave Morgan, courtesy the Royal Opera House

 

 

A New Tempest for ABT

Marcelo Gomes and Daniil Simkin in "The Tempest." Photo by Andrea Mohin.
Marcelo Gomes and Daniil Simkin in “The Tempest.” Photo by Andrea Mohin.

Alexei Ratmansky’s new Tempest premièred at American Ballet Theatre’s fall gala, held at the old State Theatre. Because of the departure (and now closure) of New York City Opera, the theatre is now becoming a magnet for dance companies. ABT is appearing there for the first time since the seventies, and it looks quite at home on its stage. It’s a great space for dance, with excellent site lines.

Anyway, the program consisted of of three works: Balanchine’s Theme and Variations, The Tempest, and a trifle by Marcelo Gomes. Here’s my review for DanceTabs.

And a short excerpt: “As the note in the program points out, ‘the ballet is at once a fragmented narrative as well as a meditation on some of the themes of Shakespeare’s play.’ It is both those things, but even more, it is a series of psychological portraits of its central characters. Each (Miranda, Ariel, Caliban, Ferdinand) dances a kind of aria. Most also have a duet with Prospero; he is the hub of the play’s network of relationships.”

Edward Villella, Unplugged

Edward Villella at a café in his new 'hood, Hamilton Heights. Photo by yours truly.
Edward Villella at a café in his new ‘hood, Hamilton Heights. Photo by yours truly.

Edward Villella is back in town, unbowed by his Miami City Ballet experience and ready to begin the next chapter of his life. I sat down with him recently at a café around the corner from his Hamilton Heights brownstone to talk about his life in dance, Balanchine, his experiences in Miami, and his plans for the future. You can read the interview here, in DanceTabs.

Breaking Through: An Interview with Teresa Reichlen

Teresa Reichlen and Tyler Angle in Balanchine's Tchaikovsky Piano Concerto No. 2. Photo by Paul Kolnik.
Teresa Reichlen and Tyler Angle in Balanchine’s Tchaikovsky Piano Concerto No. 2. Photo by Paul Kolnik.

Recently sat down with Teresa Reichlen, of New York City Ballet; here‘s a link to my interview, for DanceTabs.

Reichlen has been dancing gorgeously this season; she seems to have broken through some emotional barrier that was holding her back slightly. She’s one of those dancers that just seem to transcend technique and really dance. You can still catch her as Lilac Fairy in Sleeping Beauty on Feb. 22. But keep an eye out for her, especially in roles like the opening section of Vienna Waltzes or Titania in Midsummer Night’s Dream.