Last week, the choreographer Jessica Lang presented her new, fully-staged version of Shubert’s song-cycle Die Schöne Müllerin at BAM’s intimate Fishman Space. In it, she takes on the the lyricism of Schubert and  the poetry of Wilhelm Müller and gives it physical form. Her eight dancers fill the roles of protagonist, miller’s daughter, huntsman, and, more intriguingly, of the forces of nature and the brook in which the protagonist eventually drowns himself. Lang made a valiant effort; her approach is sensitive, well-informed, and consistently engaging. But the two languages—dance and son—only occasionally spoke to each other with eloquence, bringing about something more than the sum of various parts. Here’s my review, for DanceTabs.

And a longer a piece I wrote for The Nation, on the difficulty of combining vocal music and dance.