The Spell of “Dances at a Gathering,” and other things

Tiler Peck and Joaquín de Luz in Dances at a Gathering. Photo by Paul Kolnik.
Tiler Peck and Joaquín de Luz in Dances at a Gathering. Photo by Paul Kolnik.

For DanceTabs, I reviewed two programs at NYCB, “Just for Fun” (Carnival of the Animals, Jeu de Cartes, and The Four Seasons), and “Tradition and Innovation” (Vespro, Duo Concertant, and Dances at a Gathering). Yes, the company has taken to “naming” its programs, and also to grouping them by theme, which I often find to be problematic–too much of a good thing, not enough contrast. But still, serendipity happens. The seasons’ single performance of Jerome Robbins’ “Dances at a Gathering” turned out to be one of the freshest renditions I’ve seen in a long time. Tiler Peck, in particular, was ravishing as the “girl in pink” (see photo above).

Christopher Wheeldon’s “Carnival of the Animals,” which the company hasn’t done for a while, turned out to be a be a bit of a disappointment. It’s flat, and tries too hard to be funny (without succeeding). But there are some lovely images, like this one, of a mermaid, danced here by the beautiful Lauren Lovette.

Lauren Lovette in Carnival of the Animals, by Christopher Wheeldon. Photo by Paul Kolnik.
Lauren Lovette in Carnival of the Animals, by Christopher Wheeldon. Photo by Paul Kolnik.

Edward Villella, Unplugged

Edward Villella at a café in his new 'hood, Hamilton Heights. Photo by yours truly.
Edward Villella at a café in his new ‘hood, Hamilton Heights. Photo by yours truly.

Edward Villella is back in town, unbowed by his Miami City Ballet experience and ready to begin the next chapter of his life. I sat down with him recently at a café around the corner from his Hamilton Heights brownstone to talk about his life in dance, Balanchine, his experiences in Miami, and his plans for the future. You can read the interview here, in DanceTabs.