Some débuts at NYCB

Zachary Catazaro as Apollo, with Sterling Hyltin, Ana Sofia Scheller, and Sara Mearns (invisible). Photo by Paul Kolnik.
Zachary Catazaro as Apollo, with Sterling Hyltin, Ana Sofia Scheller, and Sara Mearns (invisible). Photo by Paul Kolnik.

There were three débuts at New York City Ballet on May 5: Zachary Catazaro in Apollo, Russell Janzen in Duo Concertant, and Lauren King in Symphony in Three Movements. There were some nerves on display, particularly in Apollo.You can read my review for DanceTabs here.

Ballet Faceoff

Last week, ABT had company at Lincoln Center, with Boston Ballet celebrating its fiftieth season across the way at the former State Theatre. Their programs could not have been more different. ABT gave a week’s worth of performances of its tired production of Swan Lake; each year it becomes more clear that it is time for this un-enlightening staging to go. Because of a last minute casting change, I saw Hee Seo and Roberto Bolle in the leads, and reviewed them here.

Meanwhile, Boston Ballet offered eclectic mixed bills—very mixed. I reviewed the second, which included works by Balanchine—a very strong Symphony in Three Movements—and Jiri Kylian (the highly theatrical Bella Figura).

Kathleen Breen Combes in Symphony in Three Movements. Photo by Gene Schiavone.
Kathleen Breen Combes of Boston Ballet in Symphony in Three Movements. Photo by Gene Schiavone.

 

Aléxandre Hammoudi as the Purple Seducer (aka Von Rothbart) in ABT's Swan Lake. Photo by Gene Schiavone.
Aléxandre Hammoudi as the Purple Seducer (aka Von Rothbart) in ABT’s Swan Lake. Photo by Gene Schiavone.