For DanceTabs, I reviewed two programs at NYCB, “Just for Fun” (Carnival of the Animals, Jeu de Cartes, and The Four Seasons), and “Tradition and Innovation” (Vespro, Duo Concertant, and Dances at a Gathering). Yes, the company has taken to “naming” its programs, and also to grouping them by theme, which I often find to be problematic–too much of a good thing, not enough contrast. But still, serendipity happens. The seasons’ single performance of Jerome Robbins’ “Dances at a Gathering” turned out to be one of the freshest renditions I’ve seen in a long time. Tiler Peck, in particular, was ravishing as the “girl in pink” (see photo above).
Christopher Wheeldon’s “Carnival of the Animals,” which the company hasn’t done for a while, turned out to be a be a bit of a disappointment. It’s flat, and tries too hard to be funny (without succeeding). But there are some lovely images, like this one, of a mermaid, danced here by the beautiful Lauren Lovette.
After a little hiatus, here’s my first review of the pre-season, for DanceTabs. It’s a roundup of the second half of the so-called “Ballet v6.0 Festival,” a showcase of young choreographers working outside of the large ballet institutions (presented by the Joyce Theatre). I caught the work of three choreographers: Olivier Wevers, Troy Schumacher, and Jessica Lang. Been wondering what the up-and-coming generation of ballet choreographers is up to? Well, here’s a peek.
A short excerpt: “There are lingering questions in people’s minds about ballet’s validity. Mainly, these tend to focus on the academicism of its forms, on the question of what is suitable content for dance, and, inevitably, on the stark gender division implied by the pointe shoe. What are the ethics and esthetics of dancing on pointe in 2013?”
I welcome comments, complaints, corrections, in fact reactions of any kind.