Paloma in BA

A few weeks ago, Paloma Herrera and I sat down to talk about her training and career, about moving back to Buenos Aires, and about what she thinks has changed in the world of ballet and in the wider culture. Our chat is now up on the DanceTabs website.

Paloma Herrera outside of the Museo de Arte Decorativo. (photo by me)
Paloma Herrera outside of the Museo de Arte Decorativo. (photo by me)

 

 

 

Colón

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This piece is very close to my heart: I spent two weeks watching rehearsals and talking to people at the Teatro Colón in Buenos Aires, a place I have looked upon with wonder since I was a little girl. The article barely scratches the surface of the many many complexities of the theater, the people who work there, and the various powers that determine its fate, but I hope it at least suggests something of its atmosphere. Here’s the link.

Photo by Diego Levy for the Times.
Photo by Diego Levy for the Times.

An Interview with Herman Cornejo (for DanceTabs)

I recently sat down with Herman Cornejo at a café downtown. We discussed everything from the cruelty of the artform, to the excitement of working with Alexei Ratmansky, to his love of drawing. Here is a link to the interview.

And a short excerpt:

“Well you know, it took a long time for Kevin [McKenzie, artistic director of ABT] to give me the principal roles in the classical ballets, even when I was already a principal. And yes, sometimes it was frustrating, but you know, now that I think about it, I feel like things happen when they are supposed to happen. I’m ready, I feel different about them now. Also, coming back to the Met after having been injured for almost four months I felt very different. Maybe it was because I was so happy to be back there, but I had rested, I’d had time to think about things.”