ABT Marks 75 years

In its first week, the company performs works from its first decade. See my review of two programs here.
In its first week, the company performs works from its first decade. See my review of two programs here.
Over the weekend, I saw a second cast in Liam Scarlett’s new “With a Chance of Rain,” plus Alexei Ratmansky’s beautiful “Seven Sonatas,” JIri Kylian’s “Sinfonietta,” and more. You can read my review here.
Watching four casts of Giselle is like seeing four different ballets—one of the reasons for this ballet’s enduring appeal. Here’s my review, for DanceTabs, of four parings at ABT: Polina Semionova/David Hallberg, Isabella Boylston/James Whiteside, Hee Seo/Alexandre Hammoudi, and Alina Cojocaru/David Hallberg (the latter replacing an indisposed Herman Cornejo).
It’s always exciting to see an unexpectedly gripping début. That was the case with Alexandre Hammoudi at the Saturday matinée. He has the acting chops, the allure, and the amplitude. Now he just has to work on his stamina and polish.
This week, ABT is performing Frederick Ashton’s “Cinderella” at the Metropolitan Opera House. Here’s my review of the two casts I saw, for DanceTabs.
And some thoughts on Ashton from the Ashton Festival at Sarasota Ballet earlier this spring.