Forward to Petipa

“Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions,” Alexei Ratmansky told me a few months back, when we began discussing preparations for his new Sleeping Beauty, based largely on his interpretation of historical sources. He said many other things too. You’ll find them here, in this extensive q&a.

 

Alexei Ratmansky in Sleeping Beauty rehearsal.Photo by Rosalie O'Connor.
Alexei Ratmansky in Sleeping Beauty rehearsal.Photo by Rosalie O’Connor.

La Grande Bellezza

Vladimir Shishov and Jurgita Dronina as Prince Florimund and Aurora in The Sleeping Beauty. Photo by Francesco Squeglia.
Vladimir Shishov and Jurgita Dronina as Prince Florimund and Aurora in The Sleeping Beauty. Photo by Francesco Squeglia.

I’m in Rome for a few weeks with my husband, who is singing at the opera here. (This explains why I haven’t been reviewing the ballet season in NYC!) I was lucky enough to have the chance to see Sleeping Beauty at the Rome Opera Ballet, with Jurgita Dronina of the Het National in the role of Aurora. It was a solid performance; not mind-blowing, but well-danced throughout. I had some doubts about Paul Chalmer’s production. It’s a bit vague, short on mime, and rather lacking in characterization. You can read my review, for DanceTabs, here.