Misty Copeland had her long-awaited New York début in Swan Lake on June 24, with ABT. How did she do? Here’s my review, for DanceTabs.
And here’s my review of the Royal Ballet—visiting New York for the first time in 11 years— in a double-bill at the Koch. The two works were Ashton’s The Dream and Kenneth MacMillan’s Song of the Earth.
Here’s my interview with Susan Jones, a ballet mistress at American Ballet Theatre in charge of the corps de ballet. Jones joined ABT in 1970 and stayed for nine years. In that time, she danced every corps role in the rep, plus Lizzie in Fall River Legend, Cowgirl in Rodeo, and a few other choice parts that suited her dramatic side. She quickly showed a skill for remembering steps, which became handy when working with Twyla Tharp on Push Comes to Shove. Baryshnikov made her a ballet mistress, and she never left. This fall, she is re-staging Tharp’s Bach Partita, which hasn’t been done for almost thirty years.
This summer, I spoke with Virginia Johnson, the longtime star of Dance Theatre of Harlem, who is now the troupe’s Artistic Director. You can see the interview, on DanceTabs, here.
Under Johnson’s tutelage, the company has returned from the brink for a successful first season. This fall, her dancers will perform at Fall for Dance in New York. In our interview, we talked about her life in dance, the rise, fall, and rise of Dance Theatre of Harlem, and the very real challenge of diversity in ballet. Here’s an excerpt: “I look at these dancers and I see that they’re not being corrected. There are some very basic things going on that reveal that they’re being ignored. And we see changes in them so quickly because they are finally getting corrections. The schools need to not only embrace the fact that ballet doesn’t have a color but actually work with the material in the room.”
The question of diversity in ballet is finally coming to people’s attention. Benjamin Millepied mentioned it in an interview related to his upcoming directorship of the Paris Opera Ballet, in comments that pissed off the French media. (He said, “I can’t run a ballet company now, today, and not have it be a company where people in the house can relate to, and recognize themselves in some ways.” Shocking.) ABT has just announced a new initiative whose mission is to reach out to minority communities through Boys and Girls Clubs across the us. (ABT’s Misty Copeland will be the ambassador for the program, which is called Project Plié.) Meanwhile, DTH will be there.