The end of American Ballet Theatre’s spring season brought a trio of farewell performances for the soloists Sascha Radetsky, Yuriko Kajiya, and Jared Matthews. Each led a cast of Coppélia; two were débuts. Quietly, Joseph Gorak also débuted this week as Franz. Recently promoted to soloist, Gorak is a young danseur noble in the making. So it goes in ballet, an art for the young, ambitious, and blindly devoted. Here’s my review for DanceTabs.
A little while back, I sat down with Cheryl Yeager, a former principal with ABT, along with two current soloists, Yuriko Kajiya and Isabella Boylston. We talked about how the company and the profession has changed over time, the role of the internet, the evolution of technique, and the importance of coaching. The Q&A is out in this month’s Playbill at the Metropolitan Opera House. You can check out a pdf here.
This ambitious new tripartite ballet, set to two symphonies and a piano concerto, all by Shostakovich, had its première at ABT over the weekend. It’s a fine work, sprawling and intense, abstract and full of stories and vivid stage pictures. An huge gift to the company, which shows itself in superb form. Here’s my review for DanceTabs.
And a short excerpt:
“What is most remarkable about the Trilogy is its range, combined with the interweaving of elements from one ballet to the next. Here is a world, Shostakovich’s world as seen by Ratmansky. Each piece has a distinct character, and yet the three clearly come from the same mind, and echo each other in various ways.”
And another striking image: